Fred Sebbaale says the rise of radio, television, and changing technology altered listening habits and media exposure, contributing to the decline of Uganda’s Kadongo Kamu genre.
Ragga Dee says the late Paul Job Kafeero privately revealed he had only four biological children, adding that he had cautioned against DNA testing years ago because it would create divisions within the family.
Kalifah AgaNaga has rejected comparisons with Kapeke, arguing that his career achievements and impact during Uganda’s most competitive music era place him on a different level.
Singer Sama Sojah says Uganda’s music industry needs stronger professional oversight, arguing that musicians alone should not be responsible for policy and regulatory leadership.
Lydia Jazmine has weighed in on the Joshua Baraka and Azawi debate, saying Ugandan artistes should focus on unity and collaboration instead of tearing down one another.
Bebe Cool says his Break The Chains album is already proving successful, revealing it has generated $70,000 and is close to fully recouping distribution costs despite early criticism.
Bebe Cool has revealed why he deliberately skipped Parliament discussions on the Copyright Amendment Bill, criticizing fellow artists for lacking knowledge about copyright laws.
Eddy Kenzo has ignited controversy after saying no musicians worked harder than the 2000s generation, pointing to mansions, businesses, and wealth as proof of their hustle.
A Pass has reignited debate after boldly claiming he would outshine Uganda’s big three in any era, saying his lyrical depth and technical versatility surpass theirs.