Lydia Jazmine has weighed in on the Joshua Baraka and Azawi debate, saying Ugandan artistes should focus on unity and collaboration instead of tearing down one another.
Eddy Kenzo has ignited controversy after saying no musicians worked harder than the 2000s generation, pointing to mansions, businesses, and wealth as proof of their hustle.
A Pass has reignited debate after boldly claiming he would outshine Uganda’s big three in any era, saying his lyrical depth and technical versatility surpass theirs.
Pallaso has sparked debate after boldly claiming he stands above most artists, while giving credit to a select few legends he believes remain untouchable
Lil Pazo used his moment at Jazz with Jajja 2 to directly appeal to President Museveni for financial help, claiming he campaigned extensively but was never refunded.
Pallaso has stirred conversation after questioning Bebe Cool’s recent musical presence, saying being famous is different from being musically relevant.
Alexander Bagonza, known as A Pass, says Uganda’s music industry limits artists by focusing on a few stars, arguing he would be among Africa’s biggest names if based in Kenya.
Ugandan music icon Jose Chameleone reflects on his early career, revealing how his first song, Gwenafuna Kati, set the stage for a string of self-written and produced hits. His independence shaped a legacy that continues to inspire.